Move from biography into the work itself.
The homepage Projects section is the quickest route through the public body of work, while the statement page gives the conceptual frame behind the practice.
Originally from Romania and based in Balbriggan, Co. Dublin, I am a multimedia artist and activist whose practice is deeply rooted in environmental awareness and climate change discourse. wWrking across sculpture, installation, photography, AI-assisted video and audio installation, performance, and curatorial practice, my work explores humanity’s relationship with nature and the urgent need to rethink patterns of consumption, waste, and environmental responsibility.
After studying oil painting for four years in Romania, I relocated to Ireland, where I earned a BA in Visual Arts, specialising in Photography, from Griffith College Dublin in 2019. In 2023, I completed a Postgraduate Programme in Curating at Zurich University of the Arts, where I specialised in Environmental Thinking in Artistic and Curatorial Practices. I currently serve as Head of the Curatorial Panel at SCÉAL Collective — Sustaining Creative Ecology Arts & Living, an Irish artist collective of more than 120 members.
My artistic practice has been supported through a broad network of arts, cultural, and institutional funding in Ireland. I have received support from the Arts Council, Fingal County Council, Creative Ireland, and Fingal Creative Communities, alongside bursary and programme-based support from the Centre for Creative Practices, the “Mother Tongue” Festival, and the Embassy of Romania in Ireland. My project and exhibition development has also been supported through Science Foundation Ireland / Research Ireland, Trinity College Dublin, Heritage Ireland, and Irish Aid, reflecting sustained cross-sector investment in my curatorial, collaborative, and environmentally focused body of work.
Over the past decade, my creative practice has become a platform for climate activism. I work primarily with discarded materials, collected from illegal dumping sites or from my own waste stream, and combine them with natural elements to highlight cycles of decay, transformation, and renewal. In painting, I use sustainably sourced earth pigments, while in sculpture and installation I transform upcycled plastics, textiles, media waste, and found objects into works that question human impact on the planet.
Through this environmentally conscious approach, I aim to raise awareness of climate change, provoke critical reflection, and inspire collective responsibility towards building a more sustainable and resilient future. My work acts as a social critique of consumer-driven society, inviting viewers to reflect on their own behaviours, habits, and relationship with the natural world.
My recent work is influenced by national identity, family memory, migration, and lived experience. As an immigrant, woman, and artist, I use my practice to explore belonging, transformation, and cultural inheritance, all through an environmentally focused practice..
Curatorial work: Culture Night 2024: “Roots Of Reuse” a self-developed initiative led by SCÉAL Arts Collective, where I serve as Head of the Curatorial Panel, co-curated with Shane Hoey in partnership with The Irish Institute of Music and Song (The Lark Venue), with funding from the Arts Council. The festival showcased four local artists—Murielle Celis, Tina Poole, Elizabeth Comerford, and David Newton—commissioning them to create new, sustainable, and collaborative bodies of work.
I also directed and produced a video journal, "Roots of Reuse," for the festival, which included in-depth studio interviews with each artist, offering viewers insight into their sustainable art practices.
Solo exhibition of photography and mix media “Facing the Self” 25.03.2024-31.03.2024, self-curated organized at GalleryX, Dublin. The show included the B&W medium format film /Mix Media collage “Confluence of Realms” developed in collaboration with photographer Kelvin Hughes along the Mix Media Collage “Semn de Mama” translated as “Birthmark” from Romanian.
This was the first work titled in the artist native language and combines medium colour format film with stands of the artist own hair sealed under several layers of resin.
The homepage Projects section is the quickest route through the public body of work, while the statement page gives the conceptual frame behind the practice.